
The final logotype in full color.


My initial concept was what anyone's might have been--a medley of letters of different fonts that come together to spell "Mosaic". These were ultimately too modern for my taste so I focused more on integrating typography and a graphic. Using the magazine's current logo, I tried to incorporate it into a tall serif font (I tested using Apple Garamond), but I felt these were reminding me too much of 90s editorials and weren't exactly classic enough.

More concepts for the logotype.

One of the typefaces we learned about in typography last semester was Garamond. I tend to appreciate fonts like this because they have built-in glyphs with swashes and other decorative flair. They are also just very classic and timeless, and though they are very old, they have a warm and comfortable quality to them that felt right for this magazine. I tested using Caslon and Garamond, incorporating the mark around the text.


